John Sciacca Tag

Great ‘Last Jedi’ Demo Scenes

The Last Jedi

Following up on Dennis Burger’s lengthy examination of Star Wars: The Last Jedi, I thought I would detail some of my favorite scenes from the movie. While Jedi has been a bit divisive amongst Star Wars fans—read the almost 100 comments to Dennis’s post on the Rayva Facebook page—now that I’ve had the chance to view it a couple more times at home, and after viewing the fantastic included two-hour documentary titled “The Director and the Jedi,” which examines many aspects of Rian Johnson’s filmmaking decisions, I’ve come to appreciate this movie in ways I couldn’t or didn’t during my initial theatrical viewing.

Regardless of your feelings about this latest installment in our favorite space opera, this is the best the franchise has ever looked or sounded and makes for reference demo material at home.

 

Much of Star Wars: The Last Jedi takes place in space, and you’ll marvel at the clean, deep, dark black-level detail of this terrific 4K HDR transfer. During the film’s first moments aboard General Hux’s ship, the floor, work stations, officers’ uniforms, and General Hux’s top and trench coat are all black. But a properly calibrated video display will reveal that these are all slightly different shades of black with clearly visible texture and detail.

During the scene where Rey trains on Ahch-To, note the texture in her staff, along with the detail in the stones around her. When she lights Luke’s saber, the blade glows hot blue-white against the sunny background, the HDR image retaining the dark and deep shadow detail of the craggy rocks while the light of the saber blade exceeds that of the sun!

 

HDR is used to great effect throughout the film, but especially during the bright outdoor scenes on Ahch-To and anytime a lightsaber blade is activated. The images from the 4K DI are reference in every regard, and virtually every frame will push your video system to its limits.

 

One of my favorite scenes is when Rey visits the dark place on Ahch-To. It just looks so cool, and the Dolby Atmos sound is terrific, swirling around the room as she snaps her fingers. Just following this is a conversation between Rey and Kylo by firelight with a closeup of their hands with fingerprint detail so amazing you could submit it to the FBI for evidence.

 

Check out the detail of Kylo’s wounds when he is communicating with Rey. You can clearly see the effects Rey’s lightsaber attack had on his face and chest from the end of The Force Awakens, as well as the scar in his side from Chewbacca’s Bowcaster. These are the subtle details that really come through in full 4K resolution.

 

The lightsaber dual between Rey and Kylo and Snoke’s guards and the finale battle on Crait look and sound even more awesome at home than you remember from the theater. Kylo’s poorly constructed saber crackles and sizzles erratically, barely containing the blade’s energy, and the ultra-sharp detail makes this more visible than ever before. (Jedi’s audio levels are a bit lower than some other titles, so be sure to turn the volume up to near reference level to truly experience the full impact of the immersive Dolby Atmos soundtrack!) The reds explode off the screen in HDR, producing rich, vibrant detail along with brilliant whites and deep, dark blacks. The orange-red of the Rebel pilots’ flight suits has never looked richer, and even old C3PO gets a visual upgrade from this 4K transfer, with his gold outfit shining brighter than ever before.

 

This is the demo candy you’ve been waiting for!

John Sciacca

Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as
 Residential Systems and Sound & Vision. Follow him on Twitter at

@SciaccaTweets and at johnsciacca.com.

This Day & Date Service Could Change Everything (Pt. 2)

In Pt. 1, I talked about how Silicon Valley startup XCINEX plans to offer movies in people’s homes the same day they open in movie theaters by charging per viewer and by providing inexpensive hardware that monitors how many people are watching the film. 

 

The third box XCINEX checks is not pissing off local exhibitors by drawing down their attendance numbers. XCINEX will pay back 95% of the ticket price to the studio supplying the content, and the studio in turn will pay a percentage of this to the local exhibitor showing the film. Specifics, such as whether the viewer gets to select a specific theater he normally frequents or if XCINEX or the studio just finds the closest theater and assumes they would get the cash, still need to be worked out.

 

In fact, XCINEX will have no control over ticket pricing. Instead, the content provider will determine the price. Atkins explained this model could be geographical—say, more expensive in New York than Iowa—or even priced more expensively during certain times.

 

In practice, renting a movie from XCINEX looks pretty straight-forward. You open the XCINEX app on your smart phone and purchase the required number of tickets for the movie you want to see. Once the purchase transaction is completed, you’re issued a unique session ID. You then open an app on a device like a smart TV, Apple TV, Roku, or Chromecast and enter the ID. The Venue then authenticates the number of viewers and your movie starts. The Venue hardware will continue monitoring the room throughout the showing, looking for new sets of eyes or a potentially nefarious recording device. If one is detected, the film will pause and then you’ll either be instructed to purchase an additional ticket or put the camera down.

XCINEX

Once rented, the movie is good for a single viewing—but you can pause, rewind some short amount of time (30 seconds to a minute), and fast forward. Should somebody have to leave during the middle, they could even “check out” of the movie, and then check back in at a different location to continue viewing the film where they left off.

 

XCINEX says content delivery will be handled by Deluxe, with security will be handled by Verimatrix. There was no mention of the quality level of each film, whether the service will support 4K, HDR, Dolby Atmos, etc. or what kind of Internet download speeds would be required for service.

 

Atkin told me that while he can’t go on record saying any studios have agreed to provide content, he did say XCINEX has strong relationships with all major studios, that he expects participation from major studios as well as independent partners, and he anticipates providing a strong lineup of content.

 

XCINEX plans to launch in 2019. The company is currently securing funding, which will be followed by 8 to 12 months of development prior to launch. Atkins speculates that the service will initially roll out in rural markets where there will be less exhibitor friction and there isn’t generally a lot of cinema attendance.

 

Stay tuned as this could prove to be one of the most exciting movie developments of next year!

John Sciacca

Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as
 Residential Systems and Sound & Vision. Follow him on Twitter at

@SciaccaTweets and at johnsciacca.com.

This Day & Date Service Could Change Everything (Pt. 1)

day & date movies

“Day & date”—the ability to watch a movie at home at the same time it’s released in commercial movie theaters—is the Holy Grail of home video. But it has faced numerous obstacles in becoming a reality, specifically from theater owners who view it as a direct assault on their business model, and who have pushed back—aggressively—at any signs of shortening release windows.

 

The only company to successfully pull off day & date so far is Prima Cinema, a company whose hardware carried an exorbitant—$35,000—upfront cost, as well as a wallet-choking $500 per viewing charge. (The current state of Prima is unknown. The company’s website is just a single page with an address and info@ email. Email and phone calls to the company went unanswered.)

 

A couple of years ago, Sean Parker of Napster and Facebook fame announced a movie service called The Screening Room that created a phenomenal amount of buzz for about two months. Parker’s idea was to create a relatively inexpensive yet secure set-top box that could be used to stream movies at around $50 per 48-hour rental. While the service had support of some pretty big Hollywood folks like J. J. Abrams, Steven Spielberg, Peter Jackson, and Ron Howard, it seems to have completely disappeared into the ether—there have apparently been no new stories or updates on the system since June 2016.

 

One product that seems to potentially check all the right boxes for making this happen is a Silicon Valley startup you’ve likely never heard of named XCINEX (pronounced See-nex). Intrigued, I reached out to the company and had a really interesting conversation with Founder and CEO Cihan Fuat Atkin.

day & date movies

First off, XCINEX wants to sell you the company’s Venue hardware for a shockingly reasonable price. Not $1,000. Not even $100. XCINEX expects to bring its Venue to market at $29.95. At this price, even if you only used it once a year—heck, even if you only used it once!—it would be affordable for anyone who owns a TV. Venue is designed to sit atop a flat-panel TV or below a screen and features an adjustable hinge to work with a multitude of TV makes and models.

 

Second, Atkins said XCINEX eschews the one-price-viewing model employed by Prima and suggested by The Screening Room and instead employs a per-viewer ticketing model similar to what currently happens when you go to a theater. Instead of renting the new Star Wars movie and filling your living room with as many bodies as possible for a single rental fee, XCINEX will charge a ticket price for every viewer in the room.

 

XCINEX does this by using advanced image-processing algorithms like motion detection and pattern, gesture, object, and shape recognition to accurately count each person in the viewing area. Venue detects external recording devices so people can’t point a cellphone or a camera at the TV to illegally record the content being shown.

day & date movies

Skeeved out by the potential massive privacy invasion of Venue constantly monitoring your living room and checking how many people are watching? XCINEX say not to worry. Atkins assures that the system is designed with consumer privacy “as a top priority.”

 

And to ensure your naked movie-watching sessions stay private, Venue doesn’t store images in memory. In fact, when it’s monitoring and processing images for viewer count, it automatically disconnects itself from the Internet. After image analysis is complete, all images are deleted and then the device reconnects to the internet server to authenticate the viewer count and session viewing ID. Because all analysis is done offline and images are immediately deleted post analysis, the Venue should be immune from contributing to the next Fappening.

 

To further counter any piracy attempts, each showing also uses robust watermarking “on top of other traceable features,” so should something get into the wild, it will be traceable back to a specific user and viewing.

 

In Part 2, I’ll talk about how XCINEX plans to keep movie-theater owners happy and will walk you through how you would order day & date movies in your home.

John Sciacca

Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as
 Residential Systems and Sound & Vision. Follow him on Twitter at

@SciaccaTweets and at johnsciacca.com.

Our Favorite Underrated Stuff (Pt. 4)

Mike Gaughn’s recent Favorite Underrated Stuff post sent me on a journey down memory lane that had me recalling some underrated stuff from my past I felt compelled to share.

 

Flash back to California’s Bay Area in the early 1990s . . .

 

I lived in downtown Berkeley, California, about a mile walk from UC Berkeley, in a large house owned by my best friend that he rented out to six other college students. I worked as a golf pro at a private country club in nearby Orinda,

where one of my best friends from high school, Pierre, also worked while he went to Cal.

 

Every Tuesday night, all the theaters in downtown Berkeley had a “$2 Tuesday” deal where the majority of films were—you guessed it—two bucks. After work, Pierre and I would have some golf-related challenge—putt-off, long drive, bunker shots, etc.—where the loser would have to pay for the winner’s movie. Or beer. We tried not to be too rigid.

underrated stuff

Nearly every Tuesday, we would go and see a movie. Often, we had nothing specific in mind—we would just stroll down Shattuck Avenue, where there were multiple theaters, and we would see what was playing that looked interesting. Two-Dollar Tuesday was a buffet where you were free to sample anything and everything, and we did. We saw foreign films, independent films, obscure and bizarre unrated films, and, occasionally, even mainstream fare.

 

It was terrific to experience such a variety of cinema—the mental equivalent of throwing a bunch of stuff against a wall and seeing what stuck.

 

Here are some of my favorites from that glorious three-year period . . .

Flirting

This Australian coming-of-age film takes place at two boarding schools—one all boys, one all girls—separated by a lake, and stars Noah Taylor, Nicole Kidman, and the screen debut of 16-year old Thandie Newton, who is just perfect in this role. I love the awkwardness of Taylor’s Danny Embling as he fumbles through each scene, struggling to fit in at a new school while slowly developing his confidence, and the slow development of his relationship with Newton’s Thandiwe, who has her own set of struggles, being the only black girl at school and dealing with Kidman’s mean girl, Nicola. You can’t watch this movie and not root for Danny, both cringing and cheering along with him, and remembering those tender/sweet/clumsy moments of the beginnings of a childhood crush. This film is in my Kaleidescape collection, and one I still return to on occasion.

 

Tous les matins du monde (All the Mornings of the World)

This takes place in the 17th Century and examines the life of French composer and viola player, Marin Marais, and the complex relationship with his mentor and instructor, Monsieur de Sainte-Colombe, and Colombe’s daughters, Madeleine and Toinette. Interestingly, as time changes throughout the film, older and younger Marais are played by father and son duo Gerard and Guillaume Depardieu. Entirely in French with subtitles, this is the first foreign film I can remember really loving, and it also gave me an ongoing passion for musical works featuring viola and cello. The music throughout the film is beautiful and is used to drive and carry each scene.

 

Tous les matins du mondes is available on Amazon, YouTube, Google Play, Vudu & iTunes

 

A Midnight Clear

Another film with a young, star-studded cast that includes Peter Berg, Kevin Dillon, Ethan Hawke, Arye Gross, and Gary Sinise, this World War II-era drama plays out at Christmas with a band of US troops discovering a weary group of Germans cut off from their main force. The hungry and tired German soldiers would rather surrender than fight and die, and the two sides develop an uneasy friendship as they co-exist in near quarters and come up with a plan allowing the Germans an honorable surrender. The acting is terrific throughout, and while the film builds towards it tense climax, it really shows the human side of conflict.

Night on Earth

It has been years since I’ve seen this movie, but I remember loving the randomness of it as Jim Jarmusch weaves together five different cab rides from five different cities around the world on the same night at the exact same time. The film’s action travels easterly from LA, to New York, to Paris, to Rome, and finally to Helsinki and features a wide range of actors, including a chain-smoking Winona Ryder, a rapid-fire and sex-obsessed Roberto Benigni, a new-to-America former clown Armin Mueller-Stahl, along with Giancarlo Esposito, Rosie Perez, and Gena Rowlands. Each vignette includes a nice mix of humor and drama and gives an interesting look at life around the world from inside a cab.

 

Night on Earth is available on Amazon

John Sciacca

Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as
 Residential Systems and Sound & Vision. Follow him on Twitter at

@SciaccaTweets and at johnsciacca.com.

The Story of Kaleidescape’s Movie Store

Kaleidescape Movie Store

I was so pleased with John Sciacca’s article on the Kaleidescape Movie Store that I thought I would tell a story . . .

 

For as long as Kaleidescape has existed, we have endeavored to present the finest cinematic experience in the comfort of your home.

 

For nearly a decade, we have offered metadata to precisely position the screen masking based on the measured aspect ratio of the movie, and the ability to play the movie with other user preferences such as Dolby TrueHD or DTS-HD soundtracks, language preferences, subtitles on playback, etc., so that everything is automated. This can be done on a per-player basis, of course, so each room can be tailored to meet the needs of that audience. It is like having an automated projectionist at home.

 

To this day, whether you purchase a movie on a disc or from the Kaleidescape Movie Store, we offer event cues to control lightinglights down when the movie begins and lights slowly coming back up when the end-credits rollto reproduce the cinema experience.

 

Our user interface was designed to appeal to different user preferences. It has always been responsive and intuitive to use. Each view has a purpose: If you know something about what you want, use the List View and the sorting feature. If you wish to find movies similar to the one you have chosen, then select the Covers View for suggestions. If you want to create custom categories for films in your library, choose the Collection View. The Collections View also automatically remembers the new film, paused movies, movies with favorite scenes, and titles with the bookmarked Play Song feature for concerts and musicals.

 

Kaleidescape earned its reputation as a system designed for movie lovers who had DVDs and Blu-ray discs, so we didn’t want the ability to buy movies for download from our online store to add clutter to the onscreen display. To purchase movies, the browser-based Movie Store has incredible filters, 80 curated collections, and the ability to browse movies by parental control and different movie formats. We also developed a powerful search function so users can find the content they want easily. Our goal was to deliver the same engaging experience whether someone is browsing through the titles in the Movie Store or in their personal movie library.

Kaleidescape Movie Store

As we rolled out the Strato Movie Player and populated the Movie Store with amazing 4K HDR titles, we realized we could use our creative, patented Covers View to integrate the Store into the onscreen display. It took us a few iterations, but we believe we have come up with something our customers will love.

 

Rather than the arcane “browse and move to the next page repeatedly,” we decided to offer a Pivot function as a powerful filter that can instantly take you to a page full of great movies comparable to the one you selected. Our powerful metadata allows us to present an enormous amount of details about each film so you can change your mind as often as you want as you look for exactly what you would like to purchase.

 

We offer thousands of movies in our store, but our focus is less on the number of titles and more on their quality. Of course, we need a critical mass of titles from the best brands of content providers to have a credible offering, and we do, having licensed titles from the Top 24 of the 25 content providers in the United States. The real difference lies in our quest to help customers find hidden gems when they seek movie entertainment, including those that may not have broad appeal.

 

Our value proposition is: Kaleidescape is the only way to experience an Internet-delivered motion picture in true 4K Ultra HD and lossless surround sound.

 

“The truth is, for me, it’s obvious that 70, 80 percent of a movie is sound.”

Danny Boyle, Director

Steve Jobs, Trance, 127 Hours, Slumdog Millionaire

 

Kaleidescape focuses exclusively on luxury home cinema. We offer the premier online store for purchasing Hollywood movies. It is essential that we present the full motion picturenot throttled video and a stereo soundtrack. To put it differently, Kaleidescape delivers more playback bandwidth for the soundtrack alone than internet streaming services provide for the whole motion picture.

 

The Kaleidescape Movie Store on Strato is an exemplary feature of a brand that strives to be different because there will always be an audience that wants the best product or service within that category.

—Cheena Srinivasan

Cheena Srinivasan is the co-founder and CEO of Kaleidescape.

Kaleidescape’s Interface Gets Even Better

Kaleidescape

Going back through previous posts I’ve written, I discovered it’s been more than five years since Kaleidescape launched its industry-leading online download store at store.kaleidescape.com.

 

In that post on the Movie Store’s beta launch, I reminisced about a conversation I’d had with company founder and now CEO, Cheena Srinivasan, back when I was sent the first Kaleidescape server to review. The concept of a movie server was completely new at the time, and generic descriptions like, “It’s like a giant iPod for movies” didn’t nearly do the product or experience justice. And they didn’t begin to do justice to Cheena’s vision for the company. “We want to be more than just a media-management company,” he told me. “We want to eventually get into content delivery.”

 

I’m sure Cheena had no idea back in 2002 exactly what would be involved with accomplishing that, as we’ve had numerous conversations since where he’s discussed the challenges of negotiating and building relationships with the Hollywood studios as the company secures digital rights for films in the highest audio and video quality.

 

Over the past five years, Kaleidescape has continued to grow and develop its online Movie Store from standard-definition (DVD-quality) titles at launch to adding a slate of Blu-ray-quality titles to now featuring films, concerts, and TV content from more than 25 studiosincluding 400 Ultra HD titles, many of which feature HDR and next-generation audio formats like Dolby Atmos. The company has also increased its bandwidth, and can now deliver content at speeds up to 300 Mbps.

 

One fundamental thing that hasn’t changed since the Movie Store was launched is the way you browse and buy movies, which requires using a Web browser. While this approach has served the company’s user base for yearsand, in fact, is a great way to buy movies when you’re not at home, so they’re ready for viewing later that dayit lacks the elegance of the rest of the Kaleidescape user experience.

 

When I visited the company’s headquarters in Mountain View, CA last November, I was given a sneak peak at the team’s latest development for the Movie Store—integrating the Store into the onscreen interface. Finally, this past week, Kaleidescape unlocked the onscreen Movie Store for dealers in a beta test prior to releasing the feature to customers.

 

I’ve had a chance to play with the new Store interface for a bit, and it is really terrific, retaining the slickness and user-friendliness the Kaleidescape experience and interface is known for.

You access the Store by pressing the Menu button on the remote, which brings up browsing options that include Listwhere you can browse your movie library sorted by title, actors, director, release date, running time, genre, or ratingCovers, Collections, and Movie Store. The Parental Controls tab has been moved to a tab of its own.

 

Once inside the Store, it’s easy to browse films sorted into a variety of collections, including Featured, New Releases, and 4K HDR, as well as popular genres like Action, Drama, and Comedy. The Store also has some dynamic collections that will regularly change, such as 2018 Oscar Nominees and Superheroes.

 

Pressing Enter on a film brings up the familiar movie-details screen, which includes information like running time, rating, aspect ratio, Rotten Tomatoes scores, a brief synopsis, genre, cast, director, and studio. It also displays the versions the film is available inHDR, UHD, HD, and SDas well as the price of each. You can also see the audio tracks available for each version.

 

The onscreen Store has some terrific options for browsing and exploring collections as well, letting you dive into a specific genre or actor, or view similar films. There’s a simple three-icon screen for navigating as well, with one icon for exploring similar films, another to go back a level, and a third that takes you home to the top screen.

 

An intuitive yet powerful search function also lets you hunt for films, actors, directors, or collections, so you can find exactly what you’re looking for.

 

Clicking Purchase prompts for a 4-digit passcode to confirm, keeping guests or young ones from racking up a massive download bill.

 

Check out the video above, where I provide a thorough look at browsing the new Store. This feature is currently available to dealers, and will go into a wide release to all owners shortly.

—John Sciacca

Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as
 Residential Systems and Sound & Vision. Follow him on Twitter at

@SciaccaTweets and at johnsciacca.com.

Dolby Cinema–The Ultimate Movie Experience

Dolby Cinema

As home theater enthusiasts, we focus so much of our attention on the home experience that sometimes it’s easy to forget what home theater is really all about: Replicating the commercial cinema experience.

 

Granted, there is much about watching movies at home that can be far superior to jumping in the car and heading down to the local megaplex. The food and drink at home is better (and cheaper), the movie starts/pauses/stops on your schedule, you have total control over who you’re watching with, and the picture and sound quality are of known quality.

 

But, when done right, the commercial cinema experience can be fantastic, and I recently saw a film at a Dolby Cinema theater that reminded me of just how truly great a movie theater can be.

 

After CES ended, I had quite a bit of time to kill between the show ending at 4 pm Friday and my flight departing at 1 am Saturday. And while my usual practice is to while away as many hoursand drinksas possible at the Las Vegas McCarran American Express Centurion Lounge, this year I decided to take a Lyft across town and visit the AMC Theater in Town Square 18.

Dolby Cinema

My sole previous experience with a Dolby Cinema was at the company’s headquarters in downtown San Francisco. That building occupies 68,000 square feet and features mixing rooms for working with both Dolby Atmos and Dolby Vision. It also contains a reference-standard lab (aka “theater”) where Dolby technicians can develop next-generation imaging and sound technologies.

 

The stars aligned as I just happened to be out visiting my parents in the Bay Area when Dolby launched the facility with the first screening in the new theater. That experience was so over-the-top impressive that I couldn’t wait to actually experience a Dolby Cinema in the wild.

 

Unfortunately, there aren’t any Dolby Cinema locations near me in South Carolina, making it a tough proposition. (Here’s the full list of locations.) Which is why once I discovered that this AMC cinema was outfitted with a Dolby Cinema screen, I knew it was a destination I had to add to my Vegas agenda.

 

A lot of components go into making the Dolby Cinema experience so impressive, and it starts before you even enter the seating area. This is a concept Dolby calls “inspired design,” which is meant to transport viewers into another space to be fully absorbed in the cinematic experience.

 

An audio/visual pathway with a full-motion HD video wall and immersive sound sets the mood as you walk into the auditorium. Once inside, your first impression is of the massive 68-foot-wide screen. This screen is so large, in fact, that I wasn’t even able to zoom my phone’s camera out enough to capture the whole thing in one frame. Compare that to what would be an insanely large home theater screen at around 14.5-feet wide (200-inch diagonal) and you can appreciate just how impressive this is.

 

The next thing you notice is the blackness. Everything is black. The walls, the ceiling, the area surrounding the screen, the seats, the carpeting. Sure, there are some colored accent lights, but this overwhelming black just sucks up all the light in the room and focuses all attention forward on that massive screen.

Dolby Cinema

There are 214 seats (plus seven ADA spots) in the Town Square’s Dolby Cinema, and you reserve your seat when buying your ticket. All the seats are oversized faux-leather powered recliners positioned in pairs where you can raise the middle arm rest to create a loveseat for couples. Even more amazing, the seats are positioned so you can’t see anyone behind or below you, making you feel like you’re in for a truly personal presentation.

 

But the really big deal, of course, is the theater’s picture and sound presentation, which is absolutely top notch and exceeds any movie-watching experience I’ve hadand that includes viewing movies at the Stag Theatre at Skywalker Ranch. (To be fair, it’s been several years since I’ve seen a film at the Stag, and it was actually still using film at the time, which is at a real disadvantage to a modern digital projector.)

 

The power behind the Dolby Cinema image quality is two Dolby co-designed and custom-built Christie Laser projectors, which Dolby describes as “quantifiably higher performance than any other technology out there.” These projectors deliver a staggering 31 foot-lamberts on screentwice the brightness of the SMPTE recommended standardproducing a picture that is more like watching a giant flat panel than a projector.

 

The Christies also have 500 times the dynamic range of a typical cinema projector, delivering the lowest black levels of any commercial projector, and producing an unbelievable 1,000,000:1 contrast ratio. They can also reproduce true HDR images that have been graded in Dolby Vision specifically for these projectors. To drive the point home, a small clip runs prior to the movie that shows what you thought was blackkind of a deep greybefore showing what Dolby Cinema black is all about. It’s a new level of black, like watching an OLED next to an old DLP.

The second aspect that makes the presentation so spectacular is a full array of Dolby Atmos speakers, which completely immerses you in the audio presentation. (I reached out to Dolby for specifications on the Town Square theater as regard speaker numbers and wattage. They didn’t have specifics on that installation but said that, “The number of speakers varies from [theater] to [theater], based on the room size . . . [but] enough speakers [are installed] to ensure a smooth pan through of audio around the room.”) The sound is clear and detailed, with objects that swirl all around and overhead, and with bass that is massive, deep, and incredibly tight. Transducers in the seats also physically convey the impact as well.

 

The movie I saw was the latest Liam Neeson thriller, The Commuter, which was basically Taken-on-a-train, but offered some big explosions and action scenes that looked and sounded terrific.

 

If I had one minor quibble over the experience, it was that the movie started practically an hour after the scheduled showtime due to a string of now-coming trailers that seemed to never end. Honestly, I enjoy trailers, and the picture and sound were so good I didn’t have a big problem with it, but if I were on a time crunch, it would be nice to know when the actual showtime was compared to when the trailers begin.

 

Without question, Dolby Cinema is the best movie experience most of us will ever have. And if you’ve been turned off on going out to the movies, you owe it to yourself to visit one. If I lived near a Dolby Cinema, I would never see a movie anywhere else.

—John Sciacca

Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as
 Residential Systems and Sound & Vision. Follow him on Twitter at

@SciaccaTweets and at johnsciacca.com.

CES Unveils the Future of Video

CES

Now that the Circus Maximum that is CES is a couple of weeks in life’s rearview mirror, I thought I’d share a few items from the show that point to the future of home entertainment. Remembering that the goal of a home theater or media room system isn’t about the electronics themselves but rather using them to deliver the best experience your room and budget can allow, some of the trends at CES spectacularly did exactly that.

 

You usually expect to see hotshot new video projectors at ISE or CEDIA, but there were a couple of standouts at CES, especially as they pertain to the media-room concept. Sony really impressed me with the latest addition to its Life Space UX line, the LSPX-A1 (shown above). This elegantly designed all-in-one solution has an ultra-short-throw 4K laser projector in a cabinet that also houses a full audio system. Placed just inches from a wall, the projector produces a 120” 4K image while the cabinet-integrated Glass Sound Speaker system produces a 360° sound field.

 

A powered subwoofer slides out of sight beneath the cabinet, and a shelf provides an easy way to add source components like an Ultra HD Blu-ray, cable or satellite STB, or Kaleidescape Strato, with integrated wire management keeping everything neat and clean. This is the kind of simple, “I just want to enjoy a good picture and sound without all the complexity” solution that can bring many people into the media-room fold.

 

Hisense was also on the laser bandwagon with a new Laser TV system that can produce a 150″ image when placed just 14” from a wall. Since it’s a TV, that means it includes a tuner and a full audio system, courtesy of Harman Kardon. This 4K projector puts out a whopping 3,500 lumens and uses a dual-laser system to produce 99% of the DCI-P3 color gamut.

 

As much as I love projectors—and I do!—they will always have limitations when compared to direct-view LED and OLED sets. Namely they have limited light output, not able to get anywhere near the 1,000 nits required to truly enjoy HDR content, and their contrast ratios are dictated by ambient lighting. They will inevitably be replaced by other technologies, and when we can get a 100”-plus direct-view model that sells for less than $10,000, I think you’ll see projectors disappear in all but large, dedicated home theaters.

CES

Direct-view technologies like Samsung’s “The Wall” might replace projection systems of all sizes. The Wall is kind of like stackable Lego blocks made of modular micro-LED panels that snap together to create a screen of literally any size you want.

 

Samsung displayed a 146” 4K model at CES that was stunning. The image was super bright, with ultra-deep blacks and eye-popping colors, and with no visible seams where the panels connected. As the pixel density of these micro-panels gets tighter, you’ll be able to enjoy 4K in smaller sizes, as well as 8K. There was no information on price or when The Wall might come to market, but this personal Jumbotron could be a good indication of where home entertainment is heading.

 

CES is terrific for seeing the future of home video, and Sony didn’t disappoint with what many—myself included—felt was the most spectacular, “Best of Show” display at CES. While just a proof-of-concept at this point, its Full-Spec HDR 8K Display put out a scorching 10,000 nits, making it the first display to meet the maximum HDR spec. Compare that to one of the brightest displays currently on the market, Sony’s own Z9 series, which delivers around 2,000 nits, and you’ll appreciate how impressive this is.

 

To leave no question as to how this abundance of nits compares, Sony displayed the Full-Spec right next to a current flagship, the 75” Z9. On its own, the Z9 looked great, but compared to the prototype, the image was flat and slightly washed out by comparison. The brightness detailschrome highlights, reflections, sunlight, headlightswere absolutely shocking in their intensity, making you squint as if you were literally looking out a window to the real world.

 

The abundance of nits also raised color saturation, producing images that were almost lifelike, with realism I’ve never seen before. Another big part of the Sony story was the company’s new X1 Ultimate Picture Processor, a chip designed to handle 8K resolution and squeeze every drop of detail out of an image.

 

Coupled with excellent source material, the future of home video is incredibly bright indeed!

—John Sciacca

Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as
 Residential Systems and Sound & Vision. Follow him on Twitter at

@SciaccaTweets and at johnsciacca.com.

John Sciacca’s Wishlist for 2018

2018 Wishlist
Better Voice Integration

Voice controlwhether Siri, Alexa, or “Hey, Google”seems to be everywhere. And without question, people want to use it more and more for controlling devices in their home. But the reality is, it just isn’t quite there yet. Often in my home, the command, “Alexa, turn on family room lights” will be met with a spinning blue circle and silence, or a reply of, “I’m sorrythe device family room lights isn’t responding,” or “OK,” but nothing happens. When it works, it’s great, but when it doesn’t, it’s maddeningly frustrating.

 

Also, we’re still basically limited to asking for one thing at a time. For example, unless I want to create a specific lighting scene in my Control4 programming, having Alexa turn on lighting in four rooms takes four separate requests. It would be great if we could get to more natural speech like, “Alexa, turn on lights in the kitchen, family and dining room, and start my dinner playlist in the dining room at 25% volume.”

 

UHD Disc Rental

Once you’ve seen the glory that is a full 4K HDR movie with an immersive audio soundtrack, it’s hard to go back to slumming it with just Blu-ray quality. But there aren’t many movies I love enough to shell out $29 or more to own. However, I would be willing to pay Netflix or Redbox a premium upcharge to rent a UHD movie, watch it in the best quality, and then give it back. I already pay Netflix an extra $5 a month to upgrade to Blu-ray viewing, and I’d happily chip in an extra finsky for the privilege of renting UHD discs. There’s a new service called Rent 4K that looks intriguing and might just fight the bill . . .

2018 Wishlist
Solo Movie

While I was on line for The Last Jedi, a theater employee came out and hung a new Coming Soon poster that simply said, “SOLO, A Star Wars Story. May 25.” I was really hoping we’d get a trailer for this movie before Jedi, but no dice. I’m hoping Disney can keep the Star Wars good times rolling, and that the Ron Howard-directed Solo can launch a terrific new story franchise from the galaxy far, far away.

2018 Wishlist
Cheaper 4K Laser

The best way to experience 4K HDR movies on a big screen is via a projector using a laser light source. A laser has inherent advantages over a traditional bulb-powered projector, namely a wider color gamut able to reach farther towards the edges of the Rec.2020 triangle, far longer lifespan, no warm-up and cool-down time, less loss of light over its lifespan, and the ability to completely turn off for truly infinite black levels.

 

But laser comes with a fairly steep price. Previous models from Sony and JVC cost $50,000 and $35,000 respectively. Sony unveiled its VPL-VW885ES at this past CEDIA, and it looked stunning, with vibrant colors and inky blacks at a closer-to-real-world price of $25,000. I’d love to see one of these bad boys available for less than $10,000. I think that would be a huge shot in the arm for front projection . . . and the new projector for my own media room!

 

Not Getting Sick After CES

Nearly every year, I come home from CES and promptly get sick. The level of sickness varies, but inevitably it’s 3 to 4 days of miserable, post-show recovery. Coming home flu-free from Vegas is high-up on my personal wishlist for starting the new year!

—John Sciacca

Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as
 Residential Systems and Sound & Vision. Follow him on Twitter at

@SciaccaTweets and at johnsciacca.com.

John Sciacca’s Best of ’17

Best of 2017--Strato Movie Player

Best Trend: 4K HDR/Immersive Audio Content

4K Ultra HD content really took off in 2017. Ultra HD TVs have reached mass-market pricing, and we even have an incredibly affordable true 4K projector from Sony. Plus, the content side has finally caught up—I’m guessing we’ve now crested the 300-disc mark, and there are more than 220 titles available for download at the Kaleidescape store. The benefits of 4K HDR go far beyond the extra pixels, with a wider color gamut that produces over a billion colors, 10-bit video that eliminates banding and delivers an incredibly clean, pristine image, and high dynamic range producing brilliant whites and clean, deep blacks. Further, most of these titles also include next-generation immersive audio in the form of Dolby Atmos or DTS:X, giving you an experience at home that can rival or exceed that of any commercial cinema. As someone who loves movies but finds it difficult to make it to the theater (thanks to a 20-month-old daughter), being able to enjoy them in fantastic quality on my home system is a real “Best of”!

Best of 2017--SEAL Team

Best New TV Show: SEAL Team

My cousin Chris was a “Teams guy,” having served with SEAL Team VII for several years. I’ve always been impressed and fascinated with his stories from abroad (one of which inspired this feature story for Sound & Vision that is one of my favorites I’ve written), and I definitely enjoy TV shows and films that cover the SEALs. (The best film—by which I mean the one that gets it the most right—is Lone Survivor. Highly recommended, and with a dynamic DTS:X soundtrack on the 4K disc!) Usually, I’m pulled out of the story by inaccuracies, poor weapons handling, bad dialogue, or whatever, but CBS’s new drama SEAL Team gets so many things right that it’s easy to overlook the stuff they get wrong. There’s also enough “storyline” in between the action that it’s engaged my wife as well. Definitely worth a viewing if you’re looking for a new show!

Best of 2017--SVS SB16-Ultra Subwoofer

Best Addition to My Home System: SVS SB16-ULTRA Subwoofer

I regularly make changes, additions, and improvements to my personal home theater system. This year, I added a second subwoofer in the form of the new SVS SB16-Ultra. This is a 16-inch, 5,000-watt bass monster. My system now delivers bass that is seismic, with impact and pressure waves you literally feel hammering you in the chest. At times, it almost feels like the couch is moving, and the bass is far more dynamic even at lower volumes. For the money ($2,000 list), I’m not sure there’s a better, more theatrical sub you can add to your system.

Best of 2017--The Last Jedi

Best Personal Experience: Star Wars Episode VIII

As I write this, it has been about two hours since I dropped my best friend Dan off at the airport to return home. I’ve known Dan for about 35 years now, and he is far more family than friend. Since the theatrical re-release of the original Star Wars trilogy back in 1997, I have seen every Star Wars film with him on opening day. I flew out to California to see Episodes I, II, and III with him, and he has flown back to Myrtle Beach to see The Force Awakens and (just this past Thursday) The Last Jedi with me. Beyond the quality of the films—and Jedi was really enjoyable, though not quite as good as TFA, in our opinion—the company, camaraderie, and conversations pre and post movie are every bit as important as the movie itself. Also, this is the first Star Wars film my oldest daughter, Lauryn, has been able to join us for on opening day. To be able to see and share this premiere with an old friend and my daughter was a wonderful, truly “Best of” experience!

John Sciacca

Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as
 Residential Systems and Sound & Vision. Follow him on Twitter at

@SciaccaTweets and at johnsciacca.com.