OK, Ashley, you asked for it. In a recent post, you shared some of your favorite cover songs and asked the rest of us to do the same. Open the flood gates.
Like Ashley, I’m going to begin with a Tears for Fears cover. Michael Andrews and Gary Jules’s cover of “Mad World” might be my favorite cover song of all time, and that’s saying something. A stark and haunting combination of vocal and piano, their version drives home the song’s dark core for me in a way that the original’s ’80s synth-pop sound just can’t match.
I know some people will never forgive me for what I’m about to say, but I believe that Bob Dylan songs are always better when someone else sings them. Here are two examples from my own collection. First, I adore Cassandra Wilson’s version of “Shelter from the Storm,” one of my favorite Dylan tunes. If Wilson’s rich, silky alto doesn’t create a sense of shelter, I don’t know what will.
And then there’s this nice slow-jam cover of “Just Like a Woman” by Gov’t Mule, Gregg Allman & Friends. I could
listen to it all day. On a side note, I always thought the lyric was, “She tastes just like a woman” (hey, the next line is, “She makes love just like a woman,” so it made sense to me). Then I learned that the line is, “She takes just like a woman,” which changes the tone entirely. I sense a topic for a later post: Songs you loved until you learned the correct lyrics.
Next up is William Shatner’s cover of Pulp’s “Common People.” That’s right, I said William Shatner. You got a problem with that? Shatner’s 2004 album Has Been was produced by Ben Folds, and the best decision he made was to bring in Joe Jackson to provide the backing vocals on “Common People.” Jackson lends just the right amount of British contempt to complement Shatner’s American disdain. Pulp’s original song is really catchy and makes you want to bounce. Shatner’s version makes you want to punch someone in the face—but, you know, in a good way.
I know it’s April, but I can’t talk about my favorite covers without mentioning U2’s version of Greg Lakes’s “I Believe in Father Christmas,” which the band released a few years ago to raise money for RED. The original is surely a classic, but there’s something about the quieter U2 version—The Edge’s classic weeping guitar sound combined with Bono’s characteristic wail in the “I wish you a hopeful Christmas” line—that makes me weepy every time I hear it.
Speaking of getting all weepy, my last pick is Peter Gabriel’s remake of “The Book of Love” by The Magnetic Fields. It appeared in the remake of the film Shall We Dance?, and Scrubs fans will mostly certainly remember it from the finale. Gabriel’s vocals and orchestration give the song a sweetness and sentimentality that pulls at the heart strings, but the almost Bowie-esque quality of the original is fantastic, too.
I could name a bunch more, but I think it’s time for someone else to grab the ball and run with it.
Adrienne Maxwell has been writing about the home theater industry for longer
than she’s willing to admit. She is currently the managing editor and video specialist
at HomeTheaterReview.com. Adrienne lives in Colorado, where she spends far too
much time looking at the Rockies and not nearly enough time being in them.